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Parnngurr
$335.00
Parnngurr rockhole is located just south of Parnngurr Aboriginal community. At the junction of three linguistic groups; Manyjilyjarra, Kartujarra, and Warnman, it was a critical and permanent source of water during the pujiman (traditional, desert born) era that supported many ritual large gatherings. During this nomadic period families stopped and camped here depending on the seasonal availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant. At Parnngurr and other similarly important camp sites families would meet for a time before moving to their next destination. Parnngurr and its surrounds are physically dominated by distinctively red tali (sandhills), covered sparingly with spinifex and low lying shrub. Parnngurr forms part of Betty’s ngurra (home Country, camp) through her parents and through renowned fellow Martumili Artist and aunt Bugai Whyoulter.
Parnngurr Aboriginal community was created during the return to Country movement of the 1980s, and named after Parnngurr rockhole, its original primary water source. However, until recently the community was widely known as Cotton Creek, after the European name for the ephemeral creek running alongside the community.
Parnngurr is an important site chronicled in the epic Jukurrpa (Dreaming) story of the Minyipuru (Jakulyukulyu, Seven Sisters). The sisters stopped to rest on Parnngurr Hill before continuing on their long journey east. Minyipuru is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Relayed in song, dance, stories and paintings, Minyipuru serves as a creation narrative, a source of information relating to the physical properties of the land, and an embodiment of Aboriginal cultural laws. Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following the women as they walk, dance, and even fly from waterhole to waterhole. As they travel the women camp, sing, wash, dance and gather food, leaving markers in the landscape and creating landforms that remain to this day, such as groupings of rocks and trees, grinding stones and seeds. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled in the narrative.
For many Martu, Parnngurr also signifies the location at which their nomadic bush life came to an end. It was here that a group of 29 Martu were picked up by the Native Welfare Department to be taken to Jigalong Mission in 1963. Collectively the group had come to the decision to move to the mission as a result of an extended drought, which had caused a scarcity in food and water resources. The group also wanted to join their families, who had already moved to Jigalong. Among them were Martumili artists Jakayu Biljabu, Kumpaya Girgirba, Bugai Whyoulter and Ngamaru Bidu.
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Tarnanthi Art fair & Darwin Aboriginal Art Fair Foundation takes no responsibility for the negotiation, coordination or distribution of freight and shipping of purchases made at the 2024 online Tarnanthi Art fair. Items customers wish to purchase may require an additional quote from the Art Centre/Vendor for freight which will be charged separately.
Shipping and freight costs are not included in the advertised purchase price unless this is stipulated at the point of purchase of the item by the Art Centre/Vendor.
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If multiple items are purchased from different Art Centres/Vendors in the same transaction, customers must arrange shipping with each Art Centre/Vendor.
This product is sold by a third-party seller and they are responsible for their product, the content of their listing and any exchanges of return of their product.
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Tarnanthi Art fair & Darwin Aboriginal Art Fair Foundation takes no responsibility for the negotiation, coordination or distribution of freight and shipping of purchases made at the 2024 online Tarnanthi Art fair. Items customers wish to purchase may require an additional quote from the Art Centre/Vendor for freight which will be charged separately.
Shipping and freight costs are not included in the advertised purchase price unless this is stipulated at the point of purchase of the item by the Art Centre/Vendor.
If shipping and freight costs are not stipulated at point of purchase, all shipping and freight costs must be arranged directly with the Art Centre/Vendor from where the purchase was made.
If multiple items are purchased from different Art Centres/Vendors in the same transaction, customers must arrange shipping with each Art Centre/Vendor.
This product is sold by a third-party seller and they are responsible for their product, the content of their listing and any exchanges of return of their product.
All products sold by third-parties are subject to the guarantees that cannot be excluded under the Australian Consumer Law.
